Noir meets Lovecraft. I didn't even realize how much I wanted to read this before I Fatale. Brubaker, we all know, understands noir, and Sean Phillips's art style is perfectly suited, especially when much of the story is set in the 50s. The supernatural elements have been very carefully blended in, with a minimum of impact on the development of the characters that drive the story. I'm very interested to see where this is going, since I expect that Brubaker has some great twists planned out.